Das Schatzhaus des Königs (German Edition)
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Would you like to add some words, phrases or translations? Submit a new entry. Compile a new entry. On the right of the treasure house the ravine then gets broader again and a natural arena opens. Durch eine an manchen Stellen nur 2 Meter breite tiefe Schlucht, die hervorragend verteidigt werden konnte, wandern wir voran. We wander through a narrow, deep ravine which could be defended excellently. After an inflection we see unexpectedly the " treasure house ", Petra's most famous monument.
After an inflection we see unexpectedly the " treasure house ", Petra s most famous monument. Weitere Informationen unter www. Beside retrospectives of the home artists whose work and meaning are academically worked off big subject exhibitions light up essential art currents and art epochs. The treasure house Middle Ages offers new insights into the art of the Middle Ages. Further information under www. Ausstellung www. In Benedictine monks from the famous monastery of Hirsau settled here. Exhibition www. Stift St. Secure Safekeeping and Public Exhibition The reliquaries were kept secure from fire and theft in a treasury on the north side of the east choir, built around Refuge and Repository The Cathedral Museum is a refuge and a treasure chamber for the church of Salzburg.
It is not only an art repository for the cathedral and archdiocese, but also plays a role in conservation, research and making art available to the public. Petra braucht aber Zeit. A trip to Petra to the ancient Nabatean capital is an overwhelming experience. The walk through the Siq and finally the view of the Treasury is dramatic and unique. Petra takes time. Sie akzentuieren die kompakten geometrischen Strukturen.
They accentuate the compact geometric structures. Here, the visitor can follow a three-storey route of masterpieces through the entire history of artistic glass-making. Jahrhunderts und zu diversen anderen Themen. The pieces have been arranged, for the larger part, according to the techniques of production and decoration; in addition, there are areas devoted to glass design in the second half of the twentieth century, and to various other topics.
A treasure house of art from China, Korea and Japan
During World War II, the building, now ornamented in monumental Italian High Renaissance style, was severely damaged and in part destroyed by fire. The collection of plaster casts and the depot collections were stored in the cellar — a grave mistake, as is now known. Die Epochen sind in einer Raumabfolge farblich voneinander abgesetzt. Colours distinguish the various eras through a sequence of galleries. The first feature to strike the eye after the Treasure House is the Sculpture Gallery, in which a selection of larger, modern works is presented.
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The name field is required. Please enter your name. The E-mail message field is required. Please enter the message. Please verify that you are not a robot. Beck, Munich, Opoku , Nefertiti in absurdity: How often must Egyptians …. An article in the National of 7. See also a Spiegel article on the question of deception by Borchardt.
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Hermann A. Beck, , pp. The demands by Egypt for restitution started from this date. One can only agree with the author that the restitution of Nefertiti is a case for which France, German and Britain, and the USA, must accept a common historical responsibility towards the Egyptian State.
The Nefertiti affair demonstrates the necessity of a discussion on the position of Western museums with regard to the archaeological treasuries which in the 19 th and early 20th centuries found their way into their collections. This would corroborate suspicions of imperialist collaboration and tolerance of plunder of Egyptian national treasures by Europeans.
Herbig Verlag, p. Through the ambassador to Egypt, Eberhard von Stohrer, Hitler informed the Egyptian government that he was an ardent fan of Nefertiti:. Nefertiti continually delights me. The bust is a unique masterpiece, an ornament, a true treasure! Hitler said Nefertiti had a place in his dreams of rebuilding Berlin and renaming it Germania.
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Inside I will build a chamber, crowned by a large dome. In the middle, this wonder, Nefertiti, will be enthroned. I will never relinquish the head of the Queen. While he did not mention it at the time, Hitler envisioned more for the museum.
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There was to be an even larger hall of honour, with a bust of Nefertiti. Hitler, the Nazi racist, was not disturbed or inhibited from infatuation with an African woman brought from Egypt by a Jewish archaeologist in an excavation financed by a Jewis benefactor. Similar opportunism and exploitation prevail regarding the art and other property looted from victims of Nazism.
If a law proclaims restitution, it takes more than half-a century to implement and in the meanwhile what happens to the enormous wealth seized and the victims of Nazism? Racism under the apartheid system in South Africa now quickly and conveniently forgotten by some did not prevent the exploitation of African resources by the Afrikaner regime and its supporters. There was also no inhibition in using Africans as cooks, gardeners and babycarers.